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      • Thesaurus Musicus (1693)
      • A Collection of New Ayres (1695)
      • The Compleat Flute-Master (1695)
    • 18th Century >
      • A comparison between the French and Italian musick and opera's (1709)
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      • The Bird Fancyer's Delight (1717)
      • A Short Explication of Such Foreign Words, as are Made use of in Musick Books (1724)
      • Grassineau Musical Dictionary (1740)
      • Nancy or The Parting Lovers (1740)
      • The Compleat Tutor for the Flute (1746)
      • Dictionarium Musica (1770)
      • The Present State of Music in France and Italy (1771)
      • The Elements of Musick Display'd (1772)
      • Longman & Broderip 1774 Music Catalog (1774)
      • A General History of the Science and Practice of Music (1776)
      • New Music: Engraved, Printed, and Sold by John Preston (1781)
    • 19th Century >
      • The Cyclopædia (1819)
  • The Index
    • Poster Footnotes

A Collection of New Ayres (1695)

About

This book contains, as the name would suggest, a collection of 36 songs arranged for two flutes. These songs were written by, what the book's publisher John Hudgebut calls, the "Ingenious Masters" of the late 17th-Century. There are at least six composers represented in the collection, identified by Hudgebut as Mr. Cortiville, Mr. Will. Williams, Mr. Solomon Eccles, Mr. Keene, Mr. Morgine, and Mr. John Eccles.

​Hudgebut was a music publisher and bookseller who ran a shop called Golden Harp and Hautboy in London, England. Although he is not believed to have received any formal music education, he published a wide variety of flute- and recorder-related materials, in addition to 
A Collection of New Ayres, including A Vade Mecum for the Lovers of Musick Shewing the Excellency of the Rechorder (1679).
  • Resource Type: Music Collection​
  • Year Published: 1695
  • Contributor(s): John Hudgebut​
  • Terminology Utilized: 
    • ​​"Flute" = Vertical Flute
  • Location of Publication: London
Read about John Hudgebut on Grove Music Online >

​View on IMSLP >

Terminology

While the lack of a frontispiece on this text's cover and the fact that the pieces contained within the text are well within the range of both the vertical and transverse flutes of the era, it is difficult to discern which of the two instruments this piece was written for. However, Hudgebut also indexes sections of this work within his Thesaurus Musicus, a work whose frontispiece prominently displays a vertical flute being played. Thus, it is likely that this collection was intended for vertical flute as well.
Picture
The cover of A Collection of New Ayres.
Retrieved from IMSLP.
Picture
The frontispiece shown on all 5 books of Hudgebut's Thesaurus Musicus.
Retrieved from IMSLP.
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  • Home
  • About The Project
  • The Poster
  • Select Analyses
    • 16th Century >
      • The King's Musick
    • 17th Century >
      • A Vade Mecum for the Lovers of Musick (1679)
      • The Genteel Companion (1683)
      • Thesaurus Musicus (1693)
      • A Collection of New Ayres (1695)
      • The Compleat Flute-Master (1695)
    • 18th Century >
      • A comparison between the French and Italian musick and opera's (1709)
      • The Modern Musik-Master (1730)
      • The Bird Fancyer's Delight (1717)
      • A Short Explication of Such Foreign Words, as are Made use of in Musick Books (1724)
      • Grassineau Musical Dictionary (1740)
      • Nancy or The Parting Lovers (1740)
      • The Compleat Tutor for the Flute (1746)
      • Dictionarium Musica (1770)
      • The Present State of Music in France and Italy (1771)
      • The Elements of Musick Display'd (1772)
      • Longman & Broderip 1774 Music Catalog (1774)
      • A General History of the Science and Practice of Music (1776)
      • New Music: Engraved, Printed, and Sold by John Preston (1781)
    • 19th Century >
      • The Cyclopædia (1819)
  • The Index
    • Poster Footnotes