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  • Home
  • About The Project
  • The Poster
  • Select Analyses
    • 16th Century >
      • The King's Musick
    • 17th Century >
      • A Vade Mecum for the Lovers of Musick (1679)
      • The Genteel Companion (1683)
      • Thesaurus Musicus (1693)
      • A Collection of New Ayres (1695)
      • The Compleat Flute-Master (1695)
    • 18th Century >
      • A comparison between the French and Italian musick and opera's (1709)
      • The Modern Musik-Master (1730)
      • The Bird Fancyer's Delight (1717)
      • A Short Explication of Such Foreign Words, as are Made use of in Musick Books (1724)
      • Grassineau Musical Dictionary (1740)
      • Nancy or The Parting Lovers (1740)
      • The Compleat Tutor for the Flute (1746)
      • Dictionarium Musica (1770)
      • The Present State of Music in France and Italy (1771)
      • The Elements of Musick Display'd (1772)
      • Longman & Broderip 1774 Music Catalog (1774)
      • A General History of the Science and Practice of Music (1776)
      • New Music: Engraved, Printed, and Sold by John Preston (1781)
    • 19th Century >
      • The Cyclopædia (1819)
  • The Index
    • Poster Footnotes

about the Project

the Instruments & Terminology

Transverse Flute
Picture
Left: Hendrik Goltzius, The Nine Muses: Plate 6, Euterpe, 1592, The British Museum
Right: Michael Praetorius, Syntagma Musicum: Plate IX, 1620, Wikimedia Commons
The predecessor to the modern Western concert flute, the transverse flute in the Renaissance and Baroque eras was a keyless, one-piece wooden instrument. It was played by holding the instrument horizontally across the face and blowing air across the tone hole while moving the fingers up and down over a series of other holes along the instrument's body to produce pitches.


Terminology utilized in London (1575-1820):
  • "Flute"
  • "German Flute"
    • This term is in reference to the commonly held belief at the time that the instrument was a German invention.
​Vertical Flute
Picture
Left: John Smith, [Frontispiece for Directions for Playing on the Flute from Peter Prelleur's The Modern Musick Master, 1730], in Christopher Welch, Lectures on the Recorder in Relation to Literature (London: Oxford University Press, 1961.), 78, Fig. 37

Right: Michael Praetorius, Syntagma Musicum: Plate IX, 1620, Wikimedia Commons​
The vertical flute in the Renaissance and Baroque eras is quite similar to its modern counterpart. The instrument was (and is) played by holding the flute vertically from the mouth and blowing into the mouthpiece at the top of the instrument while moving the fingers up and down over a series of holes down the instrument's body to produce pitches.


Terminology utilized in London (1575-1820):
  • "Flute"
  • "Recorder" or "Rechorder"
    • This term is thought to have come from one of two places:
      • An obsolete definition of the verb "record" which once meant to warble like a singing bird.
      • The noun "recorder," used to describe someone who keeps records. The recorder was one of the easiest instruments to learn at the time, which made it an excellent way for amateur players to reproduce or "record" their favorite tunes.
  • "Common Flute"
  • "English Flute"
    • Both "Common Flute" and "English Flute" likely refer to the instrument's popularity in England compared to the transverse flute during this era.

about Me

Picture
Hello - my name is Sarah Carter! I am a junior Music Composition and Arts Management dual major and Public History minor at Baldwin Wallace University but I'm originally from Denver, Colorado. I graduated from STEM School Highlands Ranch and Arapahoe Community College (where I received my A.A in Communication Studies) in 2019. In addition to my studies and composition work, I am also involved in a variety of programs and organizations, including the Riemenscheider Bach Institute Scholars Program, BW Arts Management Association, and Brain Center for Community Engagement. I also work at BW's University Archives, Jones Music Library, and Riemenschneider Bach Institute. Whenever I have free time, I like to spend it listening to podcasts, shopping for cat sweaters, and reading antique books!
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  • Home
  • About The Project
  • The Poster
  • Select Analyses
    • 16th Century >
      • The King's Musick
    • 17th Century >
      • A Vade Mecum for the Lovers of Musick (1679)
      • The Genteel Companion (1683)
      • Thesaurus Musicus (1693)
      • A Collection of New Ayres (1695)
      • The Compleat Flute-Master (1695)
    • 18th Century >
      • A comparison between the French and Italian musick and opera's (1709)
      • The Modern Musik-Master (1730)
      • The Bird Fancyer's Delight (1717)
      • A Short Explication of Such Foreign Words, as are Made use of in Musick Books (1724)
      • Grassineau Musical Dictionary (1740)
      • Nancy or The Parting Lovers (1740)
      • The Compleat Tutor for the Flute (1746)
      • Dictionarium Musica (1770)
      • The Present State of Music in France and Italy (1771)
      • The Elements of Musick Display'd (1772)
      • Longman & Broderip 1774 Music Catalog (1774)
      • A General History of the Science and Practice of Music (1776)
      • New Music: Engraved, Printed, and Sold by John Preston (1781)
    • 19th Century >
      • The Cyclopædia (1819)
  • The Index
    • Poster Footnotes