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  • About The Project
  • The Poster
  • Select Analyses
    • 16th Century >
      • The King's Musick
    • 17th Century >
      • A Vade Mecum for the Lovers of Musick (1679)
      • The Genteel Companion (1683)
      • Thesaurus Musicus (1693)
      • A Collection of New Ayres (1695)
      • The Compleat Flute-Master (1695)
    • 18th Century >
      • A comparison between the French and Italian musick and opera's (1709)
      • The Modern Musik-Master (1730)
      • The Bird Fancyer's Delight (1717)
      • A Short Explication of Such Foreign Words, as are Made use of in Musick Books (1724)
      • Grassineau Musical Dictionary (1740)
      • Nancy or The Parting Lovers (1740)
      • The Compleat Tutor for the Flute (1746)
      • Dictionarium Musica (1770)
      • The Present State of Music in France and Italy (1771)
      • The Elements of Musick Display'd (1772)
      • Longman & Broderip 1774 Music Catalog (1774)
      • A General History of the Science and Practice of Music (1776)
      • New Music: Engraved, Printed, and Sold by John Preston (1781)
    • 19th Century >
      • The Cyclopædia (1819)
  • The Index
    • Poster Footnotes

the Index

Surveyed Primary Sources

Alphabetical
Aria Di Camera: Being A Choice Collection of Scotch, Irish & Welsh Airs for the Violin and German Flute. London: Daniel Wright, 1727. https://archive.org/details/AriaDiCamera1727/.


Burney, Charles. The Present State of Music in France and Italy: a Facsimile of the First Edition, 1771. London: Travis & Emery Music Bookshop, 2002. https://archive.org/details/presentstateofmu0000burn_d8g1/.


Cahusac. Cahusac's Pocket Companion for the German Flute. 4 vols. London: Cahusac & Sons, 1794. https://archive.org/details/cahusacspocketco0000na.


Cahusac, William Maurice. The German Flute Preceptor. London: W.M. Cahusac, 1814. https://imslp.org/wiki/The_German_Flute_Preceptor_(Cahusac%2C_William_Maurice).


Carey, Henry. Nancy or The Parting Lovers: a Musical Interlude. London, 1741. https://archive.org/details/nancyorpartinglo33care/.


The Compleat Flute-Master, or The Whole Art of Playing on Ye Rechorder. London: Printed & Sold by I. Hare and I. Walsh, 1695.


The Compleat Tutor for the Flute: Containing the Best and Easiest Instructions for Learners to Obtain a Proficiency. London, 1746. https://archive.org/details/compleattutorfor0000unkn/.


The Compleat Tutor for the German-Flute. London: Charles and Samuel Thompson, 1780. https://archive.org/details/compleattutorfor00char.


De LaFontaine, Henry Cart. The King's Musick; a Transcript of Records Relating to Music and Musicians (1460-1700). 1st ed. London: Novello, 1909. https://archive.org/details/kingsmusicktrans00dela/.


The Delightful Pocket Companion for the German Flute. London, 1763.


Geminiani, Francesco. Rules for Playing in a True Taste on the Violin, German Flute, Violoncello and Harpsichord. London, 1739. https://archive.org/details/rulesforplayingi00gemi.


Grassineau, James. A Musical Dictionary. London: Printed for J. Wilcox, 1740. https://digital.opal-libraries.org/digital/collection/p16708coll9/id/51/rec/1.


Gunn, John. The Art of Playing the German Flute. London, 1793. https://www.loc.gov/item/13021151/.


Gunn, John. The School of the German Flute. London, 1794. https://www.loc.gov/resource/muspre1800.101841/.


Hawkins, John. A General History of the Science and Practice of Music. 5 vols. London: Printed for T. Payne and Son, 1776. https://archive.org/details/brigham_young_university?and%5B%5D=john+hawkins+music&sin=.


Heron, Luke. A Treatise on the German Flute. London: W. Griffin, 1771. https://www.loc.gov/item/2014572055/.


Hotteterre, Jacques. The Rudiments or Principles of the German Flute. Translated by Unknown. London: Printed for and sold by I. Walsh, 172?. https://www.loc.gov/item/42026033/.


Hoyle, John. Dictionarium Musica. London, 1770. https://archive.org/details/dictionariummusi0000hoyl/.


Hudgebut, John. A Collection of New Ayres: Composed for Two Flutes, with Sonata's. London: J. Heptinstall for John Hudgebutt, 1695. https://imslp.org/wiki/A_Collection_of_New_Ayres_(Hudgebut%2C_John).


Hudgebut, John. A Vade Mecum for the Lovers of Musick, Shewing the Excellency of the Rechorder. Library of Congress. London: Printed by N. Thompson for John Hudgebut, 1679. https://www.loc.gov/item/42026034/.


Longman & Broderip. Musical Publications Printed & Sold By Longman & Broderip. London, 179?. https://imslp.org/wiki/Publishers%E2%80%99_Catalogues_(Various).


Markordt, J, and John Preston. “New Music: Engraved, Printed, and Sold by John Preston.” Essay. In The Overture, Songs, Duetts & Choruses in Tom Thumb, 36. London: John Preston, 1781. https://archive.org/details/tomthumboverture00mark.


Meares, Richard. The Bird Fancyer's Delight. London: Printed & Sold by Richard Meares, 1717. https://www.loc.gov/item/42000836/.


Monzani, Tebaldo. Instructions for the German Flute. London: Monzani & Cimador, 1801. https://imslp.org/wiki/Instructions_for_the_German_Flute_(Monzani%2C_Tebaldo).


Music Engraved, Printed, Sold, Wholesale and Retail. London: Longman, Lukey and Broderip, 1774. https://imslp.org/wiki/Publishers%E2%80%99_Catalogues_(Various).


New Instructions for the German-Flute. London: J. Preston, 178?. https://www.loc.gov/item/20018774/.


Nicholson, James. A Concise Treatise on Thorough Bass. London: Bland & Weller, 1796. https://www.loc.gov/item/42044254/.


Nicholson, James. Nicholson's Complete Preceptor for the German Flute. London: Preston, 1816.


Pepys, Samuel, and John Smith. Memoirs of Samuel Pepys, Esq., F.R.S. Edited by Richard Lord Braybrooke. 5 vols. London: H. Colburn, 1828. https://archive.org/search.php?query=Memoirs+of+Samuel+Pepys&and[]=collection%3A%22Brandeis_University%22.


Playford, John. The Delightful Companion: or Choice New Lessons for the Recorder or Flute. 2nd ed. London: John Playford, at his Shop, 1686. http://name.umdl.umich.edu/A34569.0001.001.


Prelleur, Peter. The Modern Musick-Master, or, The Universal Musician. London: At the Printing-office in Bow Church yard, 1738. https://www.loc.gov/item/09005281/.


Prynne, William. Histrio-Mastix : The Players Scourge, or, Actors Tragædie. London: Printed by E.A. and W.I. for M. Sparke, 1633. https://archive.org/details/maspla00pryn/.


Raguenet, François. A Comparison between the French and Italian Musick and Opera's. Translated by John Ernest Galliard. London: Printed for W. Lewis, 1709. https://www.loc.gov/item/10010077/.


Rees, Abraham. The Cyclopædia; or, Universal Dictionary of Arts, Sciences and Literature. London, 1819. https://archive.org/details/b24991454_0029.


Rutherfoord, D. The Compleat Tutor for the Fife. London, 1756. https://www.loc.gov/item/08013972/.


Salter, Humphrey. The Genteel Companion: Being Exact Directions for the Recorder With a Collection of the Best and Newest Tunes and Grounds Extant. London: Printed for Richard Hunt and Humphry Salter, 1683. https://www.loc.gov/item/20010869/.


A Short Explication of Such Foreign Words, as Are Made Use of in Musick Books. London: Printed for J. Brotherton, 1724. https://www.loc.gov/item/08037441/.


A Short Explication of Such Foreign Words, As Are Made Use of in Musick Books. London: Printed for J. Brotherton, 1724. https://www.loc.gov/item/08037441/.


Tans'ur, William. The Elements of Musick Display'd; or, Its Grammar, or Ground-Work Made Easy. London, 1772. https://archive.org/details/elementsofmusick00tans.


Wragg, Jacob. Wragg's Improved Flute Preceptor, or The Whole Art of Playing the German Flute. London, 1806. http://hdl.handle.net/1802/26075.


Hudgebut, John. Thesaurus Musicus: Being a Collection of the Newest Songs Performed at Their Majesties Theatres; and at the Consorts in Viller-Street in York-Buildings, and in Charles-Street Covent-Garden. 5 vols. London: Printed by J. Heptinstall for Henry Playford, 1693. https://imslp.org/wiki/Thesaurus_musicus_(Hudgebut%2C_John).
Chronological
1460-1700: De LaFontaine, Henry Cart. The King's Musick; a Transcript of Records Relating to Music and Musicians (1460-1700). 1st ed. London: Novello, 1909. https://archive.org/details/kingsmusicktrans00dela/.


1633: Prynne, William. Histrio-Mastix : The Players Scourge, or, Actors Tragædie. London: Printed by E.A. and W.I. for M. Sparke, 1633. https://archive.org/details/maspla00pryn/.


1667: Pepys, Samuel, and John Smith. Memoirs of Samuel Pepys, Esq., F.R.S. Edited by Richard Lord Braybrooke. 5 vols. London: H. Colburn, 1828. https://archive.org/search.php?query=Memoirs+of+Samuel+Pepys&and[]=collection%3A%22Brandeis_University%22.


1679: Hudgebut, John. A Vade Mecum for the Lovers of Musick, Shewing the Excellency of the Rechorder. Library of Congress. London: Printed by N. Thompson for John Hudgebut, 1679. https://www.loc.gov/item/42026034/.


1683: Salter, Humphrey. The Genteel Companion: Being Exact Directions for the Recorder With a Collection of the Best and Newest Tunes and Grounds Extant. London: Printed for Richard Hunt and Humphry Salter, 1683. https://www.loc.gov/item/20010869/.


1686: Playford, John. The Delightful Companion: or Choice New Lessons for the Recorder or Flute. 2nd ed. London: John Playford, at his Shop, 1686. http://name.umdl.umich.edu/A34569.0001.001.


1693: Hudgebut, John. Thesaurus Musicus: Being a Collection of the Newest Songs Performed at Their Majesties Theatres; and at the Consorts in Viller-Street in York-Buildings, and in Charles-Street Covent-Garden. 5 vols. London: Printed by J. Heptinstall for Henry Playford, 1693. https://imslp.org/wiki/Thesaurus_musicus_(Hudgebut%2C_John).


1695: Hudgebut, John. A Collection of New Ayres: Composed for Two Flutes, with Sonata's. London: J. Heptinstall for John Hudgebutt, 1695. https://imslp.org/wiki/A_Collection_of_New_Ayres_(Hudgebut%2C_John).


1695: The Compleat Flute-Master, or The Whole Art of Playing on Ye Rechorder. London: Printed & Sold by I. Hare and I. Walsh, 1695.


1709: Raguenet, François. A Comparison between the French and Italian Musick and Opera's. Translated by John Ernest Galliard. London: Printed for W. Lewis, 1709. https://www.loc.gov/item/10010077/.


1717: Meares, Richard. The Bird Fancyer's Delight. London: Printed & Sold by Richard Meares, 1717. https://www.loc.gov/item/42000836/.


172?: Hotteterre, Jacques. The Rudiments or Principles of the German Flute. Translated by Unknown. London: Printed for and sold by I. Walsh, 172?. https://www.loc.gov/item/42026033/.


1724: A Short Explication of Such Foreign Words, as Are Made Use of in Musick Books. London: Printed for J. Brotherton, 1724. https://www.loc.gov/item/08037441/.


1724: A Short Explication of Such Foreign Words, As Are Made Use of in Musick Books. London: Printed for J. Brotherton, 1724. https://www.loc.gov/item/08037441/.


1727: Aria Di Camera: Being A Choice Collection of Scotch, Irish & Welsh Airs for the Violin and German Flute. London: Daniel Wright, 1727. https://archive.org/details/AriaDiCamera1727/.


1738: Prelleur, Peter. The Modern Musick-Master, or, The Universal Musician. London: At the Printing-office in Bow Church yard, 1738. https://www.loc.gov/item/09005281/.


1739: Geminiani, Francesco. Rules for Playing in a True Taste on the Violin, German Flute, Violoncello and Harpsichord. London, 1739. https://archive.org/details/rulesforplayingi00gemi.


1740: Grassineau, James. A Musical Dictionary. London: Printed for J. Wilcox, 1740. https://digital.opal-libraries.org/digital/collection/p16708coll9/id/51/rec/1.


1741: Carey, Henry. Nancy or The Parting Lovers: a Musical Interlude. London, 1741. https://archive.org/details/nancyorpartinglo33care/.


1746: The Compleat Tutor for the Flute: Containing the Best and Easiest Instructions for Learners to Obtain a Proficiency. London, 1746. https://archive.org/details/compleattutorfor0000unkn/.


1756: Rutherfoord, D. The Compleat Tutor for the Fife. London, 1756. https://www.loc.gov/item/08013972/.


1763: The Delightful Pocket Companion for the German Flute. London, 1763.


1770: Hoyle, John. Dictionarium Musica. London, 1770. https://archive.org/details/dictionariummusi0000hoyl/.


1771: Burney, Charles. The Present State of Music in France and Italy: a Facsimile of the First Edition, 1771. London: Travis & Emery Music Bookshop, 2002. https://archive.org/details/presentstateofmu0000burn_d8g1/.


1771: Heron, Luke. A Treatise on the German Flute. London: W. Griffin, 1771. https://www.loc.gov/item/2014572055/.


1772: Tans'ur, William. The Elements of Musick Display'd; or, Its Grammar, or Ground-Work Made Easy. London, 1772. https://archive.org/details/elementsofmusick00tans.


1774: Music Engraved, Printed, Sold, Wholesale and Retail. London: Longman, Lukey and Broderip, 1774. https://imslp.org/wiki/Publishers%E2%80%99_Catalogues_(Various).


1776: Hawkins, John. A General History of the Science and Practice of Music. 5 vols. London: Printed for T. Payne and Son, 1776. https://archive.org/details/brigham_young_university?and%5B%5D=john+hawkins+music&sin=.


178?: New Instructions for the German-Flute. London: J. Preston, 178?. https://www.loc.gov/item/20018774/.


1780: The Compleat Tutor for the German-Flute. London: Charles and Samuel Thompson, 1780. https://archive.org/details/compleattutorfor00char.


1781: Markordt, J, and John Preston. “New Music: Engraved, Printed, and Sold by John Preston.” Essay. In The Overture, Songs, Duetts & Choruses in Tom Thumb, 36. London: John Preston, 1781. https://archive.org/details/tomthumboverture00mark.


179?: Longman & Broderip. Musical Publications Printed & Sold By Longman & Broderip. London, 179?. https://imslp.org/wiki/Publishers%E2%80%99_Catalogues_(Various).


1793: Gunn, John. The Art of Playing the German Flute. London, 1793. https://www.loc.gov/item/13021151/.


1794: Cahusac. Cahusac's Pocket Companion for the German Flute. 4 vols. London: Cahusac & Sons, 1794. https://archive.org/details/cahusacspocketco0000na.


1794: Gunn, John. The School of the German Flute. London, 1794. https://www.loc.gov/resource/muspre1800.101841/.


1796: Nicholson, James. A Concise Treatise on Thorough Bass. London: Bland & Weller, 1796. https://www.loc.gov/item/42044254/.


1801: Monzani, Tebaldo. Instructions for the German Flute. London: Monzani & Cimador, 1801. https://imslp.org/wiki/Instructions_for_the_German_Flute_(Monzani%2C_Tebaldo).


1806: Wragg, Jacob. Wragg's Improved Flute Preceptor, or The Whole Art of Playing the German Flute. London, 1806. http://hdl.handle.net/1802/26075.


1814: Cahusac, William Maurice. The German Flute Preceptor. London: W.M. Cahusac, 1814. https://imslp.org/wiki/The_German_Flute_Preceptor_(Cahusac%2C_William_Maurice).


1816: Nicholson, James. Nicholson's Complete Preceptor for the German Flute. London: Preston, 1816.


1819: Rees, Abraham. The Cyclopædia; or, Universal Dictionary of Arts, Sciences and Literature. London, 1819. https://archive.org/details/b24991454_0029. 

Secondary Research Sources

Alphabetical
Bate, Philip. The Flute: A Study of Its History, Development and Construction. 2nd ed. London: Ernest Benn Limited, 1979.

Burkholder, J. Peter, and Claude V Palisca. A History of Western Music. 10th ed. New York, NY: W.W. Norton & Company, 2019.

Carroll, Paul. Baroque Wind Instruments: a Guide to Their History, Repertoire and Basic Technique. Brookfield, VT: Ashgate Publishing Company, 1999.

“Flute Misnomers.” The Library of Congress: Dayton C. Miller Collection Essays. https://www.loc.gov/collections/dayton-c-miller-collection/articles-and-essays/catalog-of-wind-instruments/flute-misnomers/.

Holman, Peter, Jonathan Wainwright, and Anthony Rowland-Jones. “The Iconographic Background to the Seventeenth-Century Recorder.” Essay. In From Renaissance to Baroque: Change in Instruments and Instrumental Music in the Seventeenth Century, 87–111. Burlington, VT: Ashgate Publishing Company, 2005.

Holman, Peter, Jonathan Wainwright, and Nancy Hadden. “The Renaissance Flute in the Seventeenth Century.” Essay. In From Renaissance to Baroque: Change in Instruments and Instrumental Music in the Seventeenth Century, 113–43. Burlington, VT: Ashgate Publishing Company, 2005.

Hunt, Edgar. The Recorder and Its Music. London: Ernst Eulenburg Ltd., 1981.

Rockstro, Richard S. A Treatise on the Construction, The History, and the Practice of the Flute. Translated by Georgina M Rockstro. 2nd ed. London: Musica Rara, 1928.

Sachs, Curt. The History of Musical Instruments. New York, NY: W.W. Norton & Company, 1940.

Unwin, Phillip S, and George Unwin. “History of Publishing.” Encyclopædia Britannica. Encyclopædia Britannica, inc., October 1, 2020. https://www.britannica.com/topic/publishing.

Welch, Christopher. Lectures on the Recorder in Relation to Literature. Edited by Edgar Hunt. London: Oxford University Press, 1961.
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  • Home
  • About The Project
  • The Poster
  • Select Analyses
    • 16th Century >
      • The King's Musick
    • 17th Century >
      • A Vade Mecum for the Lovers of Musick (1679)
      • The Genteel Companion (1683)
      • Thesaurus Musicus (1693)
      • A Collection of New Ayres (1695)
      • The Compleat Flute-Master (1695)
    • 18th Century >
      • A comparison between the French and Italian musick and opera's (1709)
      • The Modern Musik-Master (1730)
      • The Bird Fancyer's Delight (1717)
      • A Short Explication of Such Foreign Words, as are Made use of in Musick Books (1724)
      • Grassineau Musical Dictionary (1740)
      • Nancy or The Parting Lovers (1740)
      • The Compleat Tutor for the Flute (1746)
      • Dictionarium Musica (1770)
      • The Present State of Music in France and Italy (1771)
      • The Elements of Musick Display'd (1772)
      • Longman & Broderip 1774 Music Catalog (1774)
      • A General History of the Science and Practice of Music (1776)
      • New Music: Engraved, Printed, and Sold by John Preston (1781)
    • 19th Century >
      • The Cyclopædia (1819)
  • The Index
    • Poster Footnotes